What She Said: The Art of Pauline Kael

What would legendary film critic Pauline Kael think about Rob Garver’s documentary about her own life and career? She might have loved the fawning introductions by both filmmakers and fellow critics alike or they might have repulsed her, but she certainly would have enjoyed the inherent weirdness of making a movie about someone who spent so much of her life watching movies.

by Kate Erbland IndieWire

An exquisitely crafted documentary about the woman who was arguably the greatest movie critic who ever lived. WHAT SHE SAID plays like a twirling kaleidoscope of Kael's criticism and film history that's fully in touch with the devil-may-care imperiousness of her personality. A pure, uncut hit of the tastiest cinephile candy imaginable.

by Owen Gleiberman Variety

Chosen Best Documentary of the Berlinale by The Guardian

What She Said: The Art of Pauline Kael, Rob Garver’s portrait of the influential, combative film critic, maker of reputations and ruthless scourge of mediocrity. 

by Jonathan Romney The Guardian

A celebration of the pleasure of intellectual and emotional response to art. Musters a heavyweight crowd of admirers and acolytes - with the odd demuring voice - and assembles a kaleidoscopic montage of movie clips, archive footage and Kael's own home movies. Cinephiles will latch onto this lively, entertaining essay.

by Jonathan Romney Screen Daily

What She Said is adamantly engaging, full of lively, appreciative voices that, more than anything else, bring her enthusiasm and keen-mindedness back to life.

by Todd McCarthy The Hollywood Reporter

...a lively, exhaustively researched, and stunningly well edited tribute to an uncompromising talent.

by N.B. The Economist

A no-brainer for film buffs. Candid and lively. Her writing still packs a punch and is as conversational as ever.

by Kent Turner Film-Forward.com

All hail the queen. Kael was that rare creature, the superstar critic whose opinion could change the trajectory of a given film's path to or from success.

by Christopher Llewellyn Reed, Hammer to Nail